Oops I Did It Again Cover
| Oops!... I Did It Again | ||||
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| Studio anthology by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Once again | ||||
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Oops!... I Did It Again is the 2nd studio album by American singer Britney Spears released on May iii, 2000, through Jive Records. Though much in the vein of her debut album ...Baby Ane More Fourth dimension (1999), it is a popular, dance-popular, and teen popular record, the anthology incorporates a more funkier and R&B sounds. [ane] Contributions to the anthology's production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did It Once more received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The album became a massive commercial success, debuting at number 1 in over twenty countries while peaking inside the top five in various other. In the U.s., information technology debuted at number one on the Billboard 200, with commencement-calendar week sales of i.39 million copies, becoming the fastest selling album by a female artist since Nielsen SoundScan began tracking point-of-auction music purchases in 1991.[3] This record was broken 15 years later by Adele's 25, which sold over three.38 million copies in its starting time week of release.[4] It became Spears' second consecutive anthology to exist certified Diamond by the Recording Industry Clan of America, cogent sales of over ten one thousand thousand copies in the United States, making Spears at historic period 18 the youngest artist to take multiple diamond albums.[v] With worldwide sales of over 20 million copies,[6] Oops!... I Did It Again is one of the acknowledged albums of all-time.
Iv singles were released to promote the album. Its championship track was commercially successful in a number of territories, reaching number one in xv countries and peaking at number nine on the US Billboard Hot 100. Its second unmarried, "Lucky", peaked at number 1 in Austria, Federal republic of germany, Sweden and Switzerland, inside the top x in Australia, Belgium, Canada, Denmark, Ireland, Italy, kingdom of the netherlands, New Zealand, Kingdom of norway, Poland, Romania and the United Kingdom, and at number twenty-3 on the US Billboard Hot 100. Its third single, "Stronger", reached the tiptop ten in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number 11 on the US Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Commonwealth of australia, Denmark, Germany, New Zealand, Sweden, and the Us. Its final single, "Don't Let Me Exist the Concluding to Know", was moderately successful on the charts, peaking at number i in Romania, and within the top ten in Austria, Poland, and Switzerland, but failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several tv set shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical guest for the commencement time on Saturday Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did Information technology Again Tour, starting on June twenty, 2000 and ending at the Stone in Rio festival on January xviii, 2001.
Recording and production [edit]
"When I did the showtime anthology, I had just turned xvi. I mean, when I look at the album encompass, I'm like, 'Oh, my lordy.' I know this next anthology's going to be totally different--especially the textile. I just got finished recording the get-go 6 tracks in Sweden 2 months ago, and the material is so much more funkier and edgier. And, of course, it's more than mature because I've grown every bit a person besides."
—Spears on the progression of her material for the album.[vii]
After vacationing for half dozen days following the completion of the ...Babe I More Fourth dimension Tour in September 1999,[viii] Spears returned to New York Urban center to begin recording songs for her next album; the bulk of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[nine] The songs "Oops!... I Did It Again", "Walk on Past" (later covered by Gareth Gates), "What U Run across (Is What U Go)", and "Don't Go Knockin' on My Door" were the first to exist recorded at Martin's Cheiron Studios in the first calendar week of November; followed by "Stronger" and "Lucky", which were finalized (along with the championship track) in January 2000. Spears recorded "Don't Allow Me Be the Last to Know" at Robert Lange's villa in Switzerland in Dec 1999; Lange produced the vocal.[x] "Where Are You lot Now" was an outtake from ...Infant One More Fourth dimension. "Girl in the Mirror" and "Can't Make You Love Me"'s instrumental track and melody were recorded in the autumn of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren's "When Your Eyes Say It" at Battery Studios on Friday, January 28, 2000, which preceded her TRL appearance that solar day. "Ane Kiss from You" was also recorded at Battery Studios but was later finished at third Flooring in New York City. Spears as well recorded the last rails for the anthology "Honey Diary" which would later be completed at E Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Middle". Her encompass of "(I Tin can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 after attending the 42nd Annual Grammy Awards.[13] [xiv]
By January, the then-untitled album was halfway to completion; Spears had worked on it primarily in the U.s. and Sweden, and finalized material in New York City.[9] She was heavily pressured subsequently ...Baby One More Time 'southward huge commercial success, stating: "It's kind of hard following 10 1000000, I have to say. Just afterward listening to the new fabric and recording it, I'm really confident with it."[15] Upon the release of Oops!...I Did It Once more, Spears said: "I mean, of grade there'due south some pressure level", and added: "But in my opinion, [Oops!] is a lot better than the outset album. It's edgier – it has more of an attitude. It's more me, and I retrieve teenagers will relate to it more." Geoff Mayfield, director of Billboard charts, added that the determination to release Oops!... I Did Information technology Again less than a year and a half after Spears' debut amounts to "very smart timing. My philosophy is when you accept a young fan base, go 'em while they're hot."[xvi]
Music and lyrics [edit]
Oops!... I Did Information technology Again was considered equally a sequel to Spears' debut anthology, ...Baby Ane More than Time (1999),[1] percolating with a carefully measured alloy of familiar pop, funk, R&B and power balladry.[17] Spears said during an interview that the album has a more mature, R&B-flavored popular audio. "It's not something I inverse purposefully", Spears said of the album's sound and added: "It's just something that kind of changed on itself with me being older. My vocalization has changed a niggling fleck and I'thou more confident, and I think that comes across on the textile."[7] Ane of its producers, Rodney "Darkchild" Jerkins talked nearly working with Spears on a Rolling Stones cover, stating: "It's going to stupor everybody", adding: "Information technology has flavors of the original, but information technology'due south a directly 2000 version — new to the ear. Which I call back is cool, because people who appreciate that vocal are going to love it. And I made it so new and immature that the young kids that love Britney are going to love it. It'southward going to grab both a mature and immature audition."[eighteen] Spears worked with Robert "Mutt" Lange on "Don't Allow Me Be the Last to Know", telling MTV News: "When yous hear the song, it's so pure and delicate. It's merely i of those songs that pull you in", and added: "I think they wrote information technology 'specially for me, considering the lyrics of the song, if you really listen … they're more than of what I tin relate to, 'cause they're kind of young lyrics, I think. I don't call back Shania would probably sing some of the words that I'm maxim."[xviii]
The title track and opening song, "Oops!... I Did It Again", was compared to her debut single, "...Baby One More Fourth dimension" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat out. Lyrically, the vocal sees Spears warning to an overeager prospective lover: "Oops, you lot call back I'm in beloved/That I'yard sent from above — I'm not that innocent."[19] The song also breaks downwardly for a spoken-word interlude, involving a line from the film Titanic (1997).[19] The second track "Stronger" is a synthpop[20] and R&B-infused track,[18] which is lyrically a annunciation of independence, where Spears leaves a partner who treats her like property.[21] The line "my loneliness ain't killing me no more" makes reference to the poesy "my loneliness is killing me" from her song "...Babe One More than Fourth dimension".[18] Another R&B-infused rails, which too adds a flake more funk to the mix,[18] "Don't Get Knocking on My Door" finds Spears confidently forging alee afterward a breakdown.[21] The fourth track, a cover of the Rolling Stones' "(I Tin can't Become No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown downwardly, turning the song into an urban stomp.[22] The dance-pop version also jettisons the song'southward final poesy and adds some new lyrics[18] ("how white my shirts could be" becomes "how tight my skirt should exist").[23] "[It] was my idea [to record the song]", Spears said. "I was only similar, 'I like this song,' and I think it will be a actually cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a actually funky vocal like that."[24] The fifth track, "Don't Let Me Be the Terminal to Know", was co-written by country-pop vocaliser-songwriter Shania Twain and her so-husband, producer Robert "Mutt" Lange, who also produced the track.[eighteen] The carol, which boasts a slinky keyboard riff and Lange'due south characteristically lavish production, finds Spears allowing a scrap of state twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... but I demand to hear it straight from yous", she sings.[eighteen]
The sixth rail "What U Come across (Is What U Get)" demands respect by rebuking a jealous partner,[21] while the seventh track, "Lucky", is a heart-rending tale of a Hollywood starlet's loneliness, proving that fame can be empty.[21] "If there's zip missing in my life/So why do these tears come at night?", she asks.[20] "Schoolhouse vanquish" is the theme of "One Kiss from You lot",[21] a track that has a reggae-style beat and lyrics nearly the feelings of falling in honey, and the quickness of it,[25] with Spears cooing that after simply one kiss she sees her entire hereafter with her lover.[26] The ballad "Where Are You Now" talks about wanting to know where a previous love is, and what that person is up to, then that she can finally let them go and detect closure.[ citation needed ] Lines on "Tin can't Make You lot Dearest Me", a Europop vocal,[22] country that fancy cars and money pale in comparison to true dearest,[21] with Spears singing: "I'chiliad just a daughter with a beat out on you."[22] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a string department with a loping hip hop trounce,[xviii] while Spears makes her own songwriting debut on the modest, keyboard-driven carol "Dearest Diary", which she said is autobiographical. On the track, she sings of wanting to become "so much more than friends" with a boy.[18]
Release and promotion [edit]
In tardily 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Smash Hits in the United Kingdom.[27] In Italy, she did a curt interview on the television show TRL Italy in early 2000.[27] and gave a surprise performance in Paris in May 2000.[28] In Australia, Spears appeared on The Business firm of Hits and Russell Gilbert Alive on May 13.[27] In Spain, she gave an interview with El Rayo on September viii and October 24.[27] Spears performed at large venues in the Great britain, including Birmingham, the Wembley Loonshit in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a short United kingdom of great britain and northern ireland outing in October 2000.[28]
Oops!... I Did Information technology Once again was first released in Japan on May three, 2000, and was subsequently released in the The states on May 16. In the United States, Spears appeared on Saturday Nighttime Live on May 13, The Rosie O'Donnell Prove on May 15, and Teen People'south 25 Under 25 on May 26.[29] On May 10, she was interviewed on Belatedly Night with Conan O'Brien.[27] On May 13, Spears was both the host and musical guest on NBC's Saturday Night Alive. She besides performed on NBC's The Tonight Show with Jay Leno on May 23.[xxx] Spears' held her mail service-TRL listening political party, "Britney's Kickoff Listen", on May 16, and was toast the inflow of her album on adjacent Tuesday's installment of TRL that started at 3:thirty p.m. (ET).[31] On May 14, she was at Times Square studios for ii hours of "Britney Live" that started at noon.[31] Spears performed "Oops!... I Did It Again" on MTV'southward All Access: Backstage with Britney that was broadcast on July 19, 2000.[27] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable live performance.[32] which included a embrace of the Rolling Stones's hitting single "(I Can't Get No) Satisfaction" (1965) and her ain striking "Oops!... I Did It Again", released earlier that twelvemonth. While she began her segment in a black accommodate, she shocked the audience and the media while, at only the age of xviii, ripped information technology off to display a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] One month earlier the release of the anthology, Spears headed to Hawaii on Easter Sunday so she could record a Flim-flam television special titled Britney Spears in Hawaii. The free concert was held on the embankment in forepart of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Fox concert event was intended to serve every bit a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[34] Spears had on a month-long international promotional tour in support of Oops!... I Did It Again, and on May ii, she had a press event at Kokusai Forum Hall in Tokyo, and fabricated stops in both London and Hawaii.[35] Spears was also among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[36] She was also expected to appear on a Grammy-day TRL.[36]
The album's supporting tour, the Oops!... I Did It Again Bout, visited North America, Europe, and Brazil every bit part of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Let Me Be the Last to Know". On June 24, 2000, Spears was featured in a print and television advertising campaign for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own song for the make called "I've Got the Urge to Herbal" that was featured in 60-2d radio spots and was part of a pre-concert video presentation for Spears's fifty-city summer concert bout, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did It Again" was released as the atomic number 82 unmarried from the anthology and achieved worldwide popularity. It became Spears's third superlative-10 striking single on the US Billboard Hot 100, peaking at number nine; however, in comparison to the huge success of her debut single "...Baby 1 More Time", Jive Records considered "Oops!... I Did It Again" a small-scale disappointment.[38] The song peaked at number i on the US Mainstream Top twoscore,[39] holding the tape for the well-nigh radio additions in one twenty-four hours. "Oops!... I Did Information technology Again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Kingdom of norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[twoscore] An accompanying music video for "Oops!... I Did Information technology Once again" saw Spears on Mars in at present-iconic ruby shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the sea at the terminate of Titanic.[41]
The album'southward second single, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered i of her best offerings from the anthology. Commercially, "Lucky" topped the charts in Republic of austria, Germany, Sweden and Switzerland, while reaching number five on the Great britain Singles Nautical chart.[42] In the United States, "Lucky" just managed to top at number twenty-three on the Billboard Hot 100 chart and at number 9 on the Mainstream Top forty.[38] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy movie star and shows her conflicted human relationship to fame.[43]
The tertiary single, "Stronger", was released on October xxx, 2000 and became the album's 2nd highest-charting single in the The states, peaking at number eleven on the Billboard Hot 100 and number one on the Hot Unmarried Sales.[38] It reached number seven on the Great britain Singles Chart.[44] Its music video sees Spears catching her boyfriend cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired past Janet Jackson's video for "The Pleasure Principle".[45]
The fourth and final single, "Don't Allow Me Exist the Terminal to Know", was released on March 5, 2001 and is one of Spears' favorite tracks of her career. In the U.s., the song performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top 40. Nevertheless, the song attained success in Europe, topping the Romanian Top 100 and peaking inside the top 10 in Austria, Poland and Switzerland, while just missing the top ten in Germany, Ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[46] The music video was considered too racy at the time, portraying Spears in honey scenes with her fictional boyfriend, played past French model Brice Durand.[47]
"You Got Information technology All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the United Kingdom in January 2001.[ commendation needed ]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[17] |
| Christgau's Consumer Guide |  [50] |
| Entertainment Weekly | B[22] |
| Los Angeles Daily News | [51] |
| MTV Asia | eight/10[52] |
| NME | 8/10[xx] |
| Rolling Stone |  [23] |
| Salon | favorable[53] |
| Sonic.net | [54] |
Oops!... I Did Information technology Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Over again received an average score of 72, based on 12 reviews, indicating "generally favorable reviews".[55] Giving the album four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy dance-pop that made 'One More Fourth dimension'," but remarked that, "Fortunately, she and her production team non only take a stronger overall gear up of songs this time, but they as well occasionally get carried away with the aforementioned bewildering magpie artful, [...] giv[ing] the anthology graphic symbol autonomously from the well-crafted dance-pop and ballads that serve as its heart. In the end, it'due south what makes this an entertaining, satisfying mind."[1] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful edge and emotional depth that can't be conjured with a glass-shattering note," praising the album for consistently cast[ing] Spears as a immature woman coming to terms with her inner ability—and that'due south a darn expert message to offer an impressionable audience."[17] Entertainment Weekly'southward David Browne gave the anthology a B-rating, writing that the anthology "reminds u.s. once again that the best new popular tin be a blast of absurd air in a stifling room."[22]
Rob Sheffield of Rolling Stone gave the album a three-and-a-half out of v stars rating, calling the album "fantastic popular cheese, with much better song-factory hooks than 'N Sync or BSB go", also noting that "the dandy affair virtually Oops!, nether the cheese surface, is complex, fierce and downright scary, making her a truthful child of rock & whorl tradition."[23] A author of NME reported that "she'south modernistic-24-hour interval popular perfection realised in a nigh, human being form", commenting that "she'due south washed information technology again."[20] Lennat Mak of MTV Asia named information technology "a bright 2nd album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of grade, extensive media exposure."[52] Andy Battaglia of Salon called the anthology "a masterpiece of sorts non for its message just for the style it applies the conventions of the popular-musical medium."[53] Website The A.V. Club was more than mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks equally Diane Warren and assorted Swedes."[56]
Accolades [edit]
Commercial operation [edit]
In the United States, Oops!... I Did It Once more reportedly sold 500,000 copies in its first 24-hour interval of release.[62] It debuted at number one on the Billboard 200 chart, with first-week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest offset-week sales by a female artist.[66] This tape was held for xv years, but to be surpassed in November 2015 by the album 25 by Adele, which sold over 3.38 million albums in the Us in its showtime calendar week.[4] The album barbarous to number 2 in its second week, with additional sales of 612,000 copies.[67] It held this position for fifteen consecutive weeks.[68] [69] Past its fifth week of availability, Oops!... I Did It Once again had sold over iii million copies and had passed 5 million copies by August.[seventy] On its seventeenth calendar week on the chart,[71] it was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of seven million units.[72] [73] The album spent eighty-four weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and 2 weeks on the United states of america Catalog Albums.[74] Oops!... I Did Information technology Over again debuted at number eighty-two on the European Top 100 Albums, and rapidly peaked at number ane;[75] it sold over four million copies within the continent, being certified four-times Platinum by the International Federation of the Phonographic Manufacture.[76] Oops!... I Did It Again reached number two on the Great britain Albums Chart,[40] selling 88,000 copies in the beginning week of release; it remained in the meridian five for 4 weeks. The album debuted at number one in Canada, selling 95,275 copies in its first week.[77]
It topped the French Albums Chart[78] and the German Offizielle Top 100, too being certified triple Platinum past the British Phonographic Industry (BPI),[79] double Gilt by the Syndicat National de l'Édition Phonographique (SNEP)[80] and triple Platinum by Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number ii on the Australian Albums Chart, and spent x weeks in the top 20;[82] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum past the Australian Recording Industry Clan (ARIA) the post-obit year later on shipping 140,000 copies to retailers.[83] [84] Oops!... I Did It Again opened at number 3 on the New Zealand Albums Chart and was certified Gilded later just one calendar week on the chart.[85] The Recording Industry Association of New Zealand (RIANZ) ultimately certified it double Platinum.[86] Oops!... I Did It Again became the third best-selling album of 2000 in the U.s.a., selling 7,893,544 albums according to Nielsen SoundScan[87] and fourth best-selling anthology according to Billboard Year-End of 2000.[88] On January 24, 2005, the album was certified decuple Platinum (Diamond) past the Recording Manufacture Association of America (RIAA).[89] [90] Besides, the anthology landed at number twenty-seven on BMG Music Club all-time best-sellers listing with 1.21 million units, behind Shania Twain's The Woman in Me (1.24 meg) and Nirvana'due south Nevermind (1.24 1000000).[91] As of July 2009, the anthology has sold ix,184,000 copies in the United States, excluded copies sold through clubs, such equally the BMG Music Service.[92] Worldwide, Oops!... I Did It Again sold 2.5 1000000 copies in its first week (second highest outset week sales by a female artist worldwide) and sold 15 million copies past the cease of the year. It was the all-time-selling female anthology and 3rd best selling album of 2000. The album has sold xx million copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Amusement Group and BMG Music Publishing, claiming Spears' "What U See (Is What U Get)" and "Can't Make You Love Me" are "virtually identical" to 1 of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What You Come across Is What You Get" in 1999 to ane of Spears' representatives for consideration on a future album, though it was rejected.[93] The example was later dismissed after it was ruled that they lacked sufficient show and that there "weren't plenty similarities between the ii songs to evidence copyright infringement."[94]
Track list [edit]
| No. | Championship | Author(s) | Producer(south) | Length |
|---|---|---|---|---|
| ane. | "Oops!... I Did It Again" |
|
| three:31 |
| ii. | "Stronger" |
|
| 3:23 |
| 3. | "Don't Get Knockin' on My Door" |
|
| 3:43 |
| 4. | "(I Can't Become No) Satisfaction" |
| Rodney Jerkins | iv:23 |
| v. | "Don't Let Me Be the Last to Know" |
| Lange | 3:50 |
| 6. | "What U See (Is What U Get)" |
|
| 3:36 |
| 7. | "Lucky" |
|
| 3:26 |
| eight. | "One Buss from You" | Steve Lunt |
| iii:23 |
| ix. | "Where Are Yous Now" |
|
| 4:39 |
| 10. | "Tin can't Brand You lot Love Me" |
|
| 3:17 |
| 11. | "When Your Eyes Say Information technology" | Diane Warren |
| 4:29 |
| 12. | "Beloved Diary" |
|
| 2:46 |
| Total length: | 44:37 | |||
| No. | Title | Writer(s) | Producer(south) | Length |
|---|---|---|---|---|
| 12. | "Girl in the Mirror" | Elofsson |
| four:06 |
| 13. | "Dear Diary" |
|
| 2:46 |
| Total length: | 48:24 | |||
| No. | Title | Writer(due south) | Producer(s) | Length |
|---|---|---|---|---|
| eleven. | "When Your Eyes Say Information technology" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| 13. | "You Got Information technology All" | Rupert Holmes | Eric Foster White | 4:43 |
| 14. | "Dear Diary" |
|
| two:46 |
| Total length: | 52:33 | |||
| No. | Title | Author(due south) | Producer(s) | Length |
|---|---|---|---|---|
| xi. | "When Your Eyes Say It" | Warren |
| four:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| three:36 |
| 13. | "You Got Information technology All" | Holmes | White | 4:10 |
| 14. | "Heart" |
|
| 3:31 |
| 15. | "Dear Diary" |
|
| 2:46 |
| Full length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| i. | "Don't Let Me Exist the Last to Know" (Album version) | three:fifty |
| two. | "Don't Permit Me Be the Last to Know" (Hex Hector Radio Mix) | 4:01 |
| 3. | "Don't Let Me Be the Last to Know" (Hex Hector Club Mix) | ten:12 |
| four. | "Stronger" (MacQuayle Mix Prove Edit) | 5:21 |
| five. | "Stronger" (Pablo La Rosa'southward Tranceformation) | 7:21 |
| vi. | "Oops!... I Did It Over again" (Music video) | 4:11 |
| 7. | "Lucky" (Music video) | iv:07 |
| 8. | "Stronger" (Music video) | 3:37 |
| ix. | "Don't Let Me Be the Last to Know" (Music video) | 3:51 |
| Total length: | xxx:52 | |
| No. | Championship | Length |
|---|---|---|
| ane. | "Oops!... I Did It Again" (Music video) | 4:twenty |
| two. | "Lucky" (Music video) | 4:fourteen |
| iii. | "Stronger" (Music video) | 3:47 |
| 4. | "Oops!... I Did It Once more" (Karaoke) | 4:17 |
| 5. | "Lucky" (Karaoke) | 4:18 |
| half dozen. | "Stronger" (Karaoke) | iii:46 |
| Full length: | 25:25 | |
Notes
- Track 4, "(I Can't Become No) Satisfaction" is a cover of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adapted from AllMusic.[102]
- Britney Spears – vocals, groundwork vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Brown – assistant engineer
- Flip Osman – assistant engineer
- Clayton Wood – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, banana engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – vocal engineer
- Jackie Murphy – art direction, design
- Mark Seliger – back embrace, cover photo
- Larry "Rock" Campbell – bass, guitar, producer, pulsate programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Forest – keyboards
- Elan Bongiorno – make-upward
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal system, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – cord coordinator
- Hayley Hill – stylist
- Alfred 5. Brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Gene Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – background vocals
- Nana Hedin – groundwork vocals
- Darryl Anthony – background vocals
- Nora Payne – groundwork vocals
- Jeanette Söderholm – background vocals
- Therese Ancker – groundwork vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – groundwork vocals
- Mona Yacoub – groundwork vocals
- Jeanette Olsson – background vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Year-end charts [edit]
Decade-stop charts [edit]
All-fourth dimension charts [edit]
|
Certifications and sales [edit]
Release history [edit]
See also [edit]
- Listing of best-selling albums
- Listing of best-selling albums by women
- Listing of best-selling albums in the United States
- Listing of fastest-selling albums
Notes [edit]
- ^ Equally of December 2010, Oops!...I Did It Again has sold 9,201,000 copies in the Usa according to Nielsen SoundScan,[185] with additional 1,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[92]
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- ^ "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did It Once again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Once again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did Information technology Again - Amazon.com Music
- ^ "Oops!... I Did It Over again (Special UK Edition)". AllMusic. October 9, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did It Again [Japan 2001 Bonus Tracks]". AllMusic. February 13, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did It Once again AUSTRALIA Special Edition w/Bonus Disc of Remixes And Videos". Record Runner USA . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Over again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Over again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Once more Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again 20th anniversary edition pic vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Merely Hits. Twelvemonth by year. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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